Mary, Mary

This piece is Oil on Board. Inspired by Signorelli's Last Judgement Frescos. Final Project for my painting class in Italy.

Inspiriational Art: Roz McQuillan

I am researching for a project for my figure painting class and found this artist. I am loving her nudes. I really like her linear approach to painting and the way she uses large color shapes to accent the neutral skin tones of the figures. Beautiful.

Here is a link to her Red Bubble account where you can see lots more where this piece above came from.

Self Portrait

I don't love this or think it's particularly well done, but it's okay for something I hadn't done before and was definitely a learning experience. I think my favorite parts are everything except the face, haha. Done in Oil on Wood in Italy.

Anne Bogart

Photograph: Joan Marcus
Mary-Lousie Parker in Dead Man's Cell Phone Directed By Anne Bogart

I'm reading a book by Anne Bogart for my Directing class called A Director Prepares: Seven Essays on Art and Theatre. I haven't gotten very far in yet, but a little bit of the introduction articulated an idea that I hold true in my own work. I just wanted to share.

To succeed in this fast-changing world requires action, speed, decisiveness, and hard work. To survive, to keep up, to feed a family, to ensure a roof over our heads, it is necessary to act from a very particular personal impulse: the survival instinct. And there is always the danger that this survival mode will dominate the artistic process. Most of the choices that we make in the survival mode issue from a need for security and advancement. But the instinct for security gives access only to a small part of our creative abilities. If we limit our impulses to the survival instinct, our scope and range of artistic work will be limited. Lewis Hyde in his book entitled: The Gift: Imagination and the Erotic Life of Property suggests that humans always take action and make decisions from two possible sources: the survival instinct or the gift-giving impulse. The gift giving impulse, like the survival instinct, also demands action and decisiveness, but the results differ because the intention that provokes the action has nothing to do with security. The action originates in the impulse to give someone a girft and the urge to create a journey for others outside of their daily experience. This instinct requires generosity, interest in others, and empathy... We create journeys for others to be received in the spirit of a gift.

To approach the theatre as an art form, we must be able to act in thie empathetic spirit. Each of us is a producer and an artist in one and we must take care that one does not overwhelm the other. The producer in us must protect the gift giver and know when and how to give it space and freedom. The gift giver must step aside for the surival instinct in the right moments.

Theatre and movies are often critisised as narcissistic, but this responce defines the difference for me. Is the actor in it for the fame or for the story being told? Are the production staff looking to make money or make good? I don't think it has to be only one, but it does have to be a balance of both if one wants to function within society, but history does tell us that some of the best artists that do it despite their hardships in life. So my advice would be it is better to give than to recieve, but to keep a toe in the recieving end for there can be no giving if there is no one to graciously accept the gift.

Inspirational Art: Dexter

I am completely inspired by this television show. It is on Showtime and currently has Four Seasons. I'm currently only on Season 1, but it's quite the show.

For those of you who don't know the premise of this show, it is about a serial killer who was raised by a morally upstanding foster father who also happened to be a cop. He taught Dexter, the killer, how to channel his "urges" to kill by killing those who deserve to be killed. The concept is interesting, but by itself does not sell the show to me.

Why I love this show, is because it really explores the good and bad sides of humanity. The idea of never really knowing what people's deepest darkest secrets are and why they are the way that we are. It flips the script when it comes to who the good guys are and who the bad guys are and how the little choices in our everyday lives to love people can really make a difference all wrapped up in a hilarious, cop drama, mystery show. It's CSI meets Sweeney Todd meets Veronica Mars.

I would suggest this show to those who like dark comedy, character pieces, don't mind minimal nudity and colorful language, and mystery!

Season 5 premiers this next fall, so you have plenty of time to catch up before then, especially since seasons 1-4 are available for instant play on netflix!

Inspirational Art: Uglow

My professor for my figure painting class showed us this fabulous painter's work.
The simplicity of color and composition that still describes the figure is breathtaking.
Love it.

Beach Hat

A nice little something to hopefully brighten up a dreary february.
Here is a close up of the detail on the shells.
I'm not very inspired here at school currently. Which is sad.
I don't know if it's just that I'm so busy with school or that I hate February, but something is off and ruining my game. So this painting cheers me up a bit because it is my favorite piece from Italy. With shells and a cork from Cinque Terra and Venice in a sunny room in November, when life was sweller than swell.

Oil on paper.